J a r e d S t a n l e y —
After an infinite season
in a city of few trees
the volume knob ripens
this tragedy to a soaring wound.
There are other worlds next to our fingers
½ wind, ½ budded leaf, all werewolf
green upon the beloved mountain
all creation fades to voice
The poems stray at the mention of hymns and anthems
the wind from the north has a nutty flavor
that’s the non-technical language of fire
the meticulous teasing of air by inhalation
apocalypse for dummies, the air inside a joke
impossible or just difficult, like fig growing in Ontario
I greet you in the place of the seekers: a hum, not a place
when the taste of dust passes over the tongue
Shearwaters off the coast
of a new green Antarctica
a swarm of tender, indifferent greetings
microscopic fuzz in the spume
fate swarms the whole
everything’s gone sea-surface gray
I bet you could be glad in a halo of rough seas
off green cliffs, sea wrack for an adjacent world
It no longer snows in this country.
So what. You found a secret stair
opening on a drought-garden
some pebbles tossed
in the desert roses, semi-wilted
wonderful, yellowed, well, you know
suffering to cover the suffering.
It no longer snows in this country.
Assess the curriculum of smoke
in a halo of pine-scented oils:
it’s lux, billows up the oiled light
drifts into the leg hair, lux, deluxe.
It would be kinda delicious if you
could teach the odd powers
of weather to flame and lick up. Ugh,
those old noises. Scorched. Again and again
In a meditative fear
a big, pictureless dollar bill
enjoys looking serene, is covered in barf
look at it, resting on a bed of de-platformed biomass
what to do with such cruel peace
gentle thing, reader, test the stillness
a picture of the opposite world
we’ll have to get there on foot
light-slashed ridges form a scorpion’s tip